“Armenian sacred music from the 5th century to the 20th century” – that reads like the title of an academic monograph – the kind of thing you’d toil over in the drafty corner of a university library, watching the night draw in and your chances of making that early morning essay deadline evaporate. It may well be, but it’s also the unassuming tagline of Luys i Luso (ECM), the latest album by young Armenian pianist Tigran Hamasyan, which is anything but dry and dusty.
Hamasyan’s longstanding interest in the sacred music of his homeland has led him to collaborate with the Yerevan State Chamber Choir and to arrange a series of Armenian hymns, cantos and sharakans (chants) by composers such as Komitas, Mesrop Mashtots and Grigor Narekatsi, for piano and voices. It makes for a profoundly atmospheric recording, but performed by Hamasyan and a pared-down touring choir of eight voices beneath the cavernous domed ceiling of Union Chapel in Islington the music sounded even better and more alive. Read the rest on Jazzwise.com
— Thomas Rees
— Photo by Roger Thomas